Reader-response criticism is a group of approaches to understanding literature that explicitly emphasizes the reader’s role in creating the meaning and experience of a literary work. More specifically, it refers to a group of critics who study, not a literary work, but readers or audiences responding to a literary work. (Norman Holland, Stanley Fish, Wolfgang Iser, Hans-Robert Jauss – 1960’s and 70’s)
Kinds of Reader-Response Theorists
1. Individualists (David Bleich)
- Those who focus upon the individual reader’s experience.
2. Experimenters (Richard Gerrig)
- Those who conduct psychological experiments on a defined set of readers.
3. Uniformists (Wolfgang Iser)
- Those who assume a fairly uniform response by all readers.
Reader-Response: Various Views
1. Psychoanalytic
- The reader responds to the core fantasies and the symbolic groundwork of the text in a highly personal way; the real meaning of the text is the meaning created by the individual’s psyche in response to the work.
2. Hermeneutic
- The reader decodes the text according to his world-view, his horizons, yet with the understanding that the text may be operating within a different horizon, hence there is an interaction between the world of the text and the world of the reader.
3. Phenomenological
- The text functions as a set of instructions for its own processing, it lies between the reader and the text: it is the result of the dialectic between work and reader.
4. Structuralist
- Decoding the text depends largely on the competence of the reader in responding to the structures and practices of the text and which operate implicitly which the competent reader can make it explicit.
5. Political or ideological
- The reader himself will have ideological convictions and understandings as well, often unrecognized, as is the nature of ideology, which understandings will condition and direct the reading and the application of the reading.
6. Post-structuralist view
- Meaning is indeterminate, is not ‘in’ the text but in the play of language and the degree of principles in which the reader is immersed: hence the reader constructs a text as he participates in this play.
The Role of Reader-Response Criticism in the Study of the Bible
Reader-response criticism in the Biblical context is about readers as opposed to authors, what happened to the texts after the authors had finished with them as opposed to what was in their mind or what was going on around them when they wrote them.
There is a new notion that the reader’s response of a text is more important than the text itself, and even that a text doesn’t really exist until somebody reads it. “The bare text is mute”. It is like the philosophers’ old question: If a tree falls in the forest and no-one hears it, does it make a sound? A text without a reader has no meaning. It is the readers of a text that give it meaning. In a sense the reader creates the text as much as the author does.
The radical notion that a text without a reader doesn’t really exist was a reaction to formalism, to the idea that a text has a single meaning which it is the task of literary critics or interpreters to discover. It was a swing from one extreme to another, a swing away from the single minded preoccupation with the text, however sacred, to a concentration on its readers. This is relevant to biblical studies which have been totally dominated for centuries by the historical critical assumption that research is about getting as near as possible to the one and only original meaning of the text. Put it this way: “meaning is what happens to readers during the reading process”. So to discover the meaning of a text, a new emphasis is required on the reading process and the interaction between reader and text.
Opponents of reader-response theory of course maintain that all this leads to complete subjectivity. But here again it has become increasingly evident to many that there is no such thing as an objective fact. Even the so-called scientific facts depend on the observer’s frame of reference. It is virtually impossible to get anywhere near objective facts – let alone one single meaning of a text describing those facts. It is very hard to argue that a text can have one single objective meaning. What the Church or biblical critics call the original meaning of the text is as subjective as any other meaning.
We need to recognize that everyone comes to the text with presuppositions, even the most objective historical critic and emphasis immediately switches from the text to its reader. The theory that the text isn’t there if there is no-one reading it, does not really exist on its own, might also at first sight seem to be a problem for the doctrine of sola scriptura and reformation calls to go back to the Bible. What do they mean if the Bible does not really exist? Again a moment’s thought shows that both the orthodox Catholic doctrine of scripture which cannot be interpreted on its own, without the Church, and Calvin’s notion of the “inner testimony of the Holy Spirit”, essential to the process of reading scripture, were early pieces of reader-response criticism, motivated by a concern for authority.
The main problem for biblical scholars, however, is the idea that readers are more important than the text. There are plenty of examples of biblical interpreters seeing their work as a dialogue or encounter with the text. Commentaries of all types focus on the text, whereas according to reader-response theory the focus must rather be on the readers and what they make or have made of the text. In reading a commentary on a text, we hear the voices of its readers including the author of the commentary far more clearly than the voice of its author. That is what biblical critics have found hard to swallow. We must at least look carefully at the following questions: (1) who is reading the text? (2) what presumptions do they have? (3) what do they make of the text? and (4) what effect does the text have on them?
1. Who are the readers?
We would probably be thinking of the professional guild of biblical scholars, biblical scholars, and students of English literature, theologians or the like. Another important set of readers is the Church. We need to consider the ordinary flesh and blood non-specialist reader of the text. It is the ordinary reader that matters most because there are always going to be more of them than there are members of any specialist group.
2. Their Presuppositions
What kind of baggage do readers bring with them when they approach the text? Thanks to the influence of feminism, liberation theology, and other ideologies, it has become normal practice for writers at the beginning to declare their bias. This means of course that the reader can put the book down if he doesn’t agree. But it also means that the author is free to say the text means whatever he wants it to mean, provided no claim is made that the meaning is the original meaning or the only meaning or anything other than the meaning arrived at by a reader with her particular presuppositions. Thus the process creates a satisfying unity in the mind of the reader, in tune with his personality, a unity not in the text but created by the reader in his response to it.
3. The Meaning
It is fundamental in reader-response criticism is that readers contribute something to the meaning of the text. They have a creative role in the process, parallel to that of the author, some say, more important than that of the author because in the case of most literature, including the Bible, we do not have access to the author’s mind except through the text which can only be perceived by its readers. Faced with gaps in the narrative the reader instinctively seeks to fill them in.
Example 1
Who is God talking to in Genesis 1 when he says, “Now let us create humankind”? Who is he talking to in Isaiah 40 when he says (using a plural imperative): “Comfort my people!”? Why is Isaac not mentioned after the sacrifice in Genesis 22 (He doesn’t appear again for two chapters)?
Example 2
The variation in the word used to describe Jonah’s big fish: it appears three times as masc. dag and once as feminine dagah. Modern critical readers ignore the variation, or explain it as a scribal error. The rabbis found two separate fishes in the text, one male and one female, which make an even more interesting story. Another option was to find not a distinction of gender, but of style or degree: it was the same fish but in the verse introducing Jonah’s Psalm, where he is described as praying in its belly, the form was selected to highlight the miraculous or legendary nature of the fish.
To deal with the variation, these three reader-responses devise strategies – three very different ones based on, respectively, textual criticism, fantasy and stylistics.
4. The Impact
What a text does is the same thing as what it means. Ethical issues raised by particular readings of the Bible are a central concern, for example, in ideological criticism, liberation theology, feminism, and so on. Some readings have a benign effect on their readers; others encourage racism or colonial oppression or the like. The opinions of ordinary people and non-specialists on the meaning of the text are as important as those of the literary experts. It is imperative however to ensure that readers of the Bible, including biblical scholars, are aware of what they are doing, and, on the other, to enable people, especially the marginalized and oppressed, to read the bible in a way that does not disadvantage them.
It is virtually impossible to arrive at one final critical evaluation of a text, given the multiplicity of readings, each dependent on the reader’s own horizon of expectation. This may be an uncomfortable conclusion to reach, so accustomed are we to the modern assumptions that (a) the aim of biblical scholarship is to find one single correct or true meaning, and (b), with all our modern discoveries and techniques, we in the modern world are more likely to achieve that than anyone else in the past. But as we have seen, whether we like it or not, the objectivity of modern scholarship has been questioned, texts have more than one meaning, and different meanings are largely due to differences in the reader’s hermeneutical stance or horizon of expectation – whether the reader is a trained Hebraist, a renaissance artist or a Mexican peasant. Given the opportunity to consider a variety of different readings of a text, we may evaluate them using aesthetic, theological, ethical, ideological, and academic or other criteria, reflecting our own hermeneutical stance. Furthermore, we are mostly members of an interpretive community of some kind where a consensus is reached on what is acceptable, academically and ethically, and what is not.
Let me now end from a quote in a movie, “When a newspaper reporter finds out that what really happened is different from the legend, he says, “It ain’t news. This is the West. When the legend becomes the fact, print the legend.” This is not the west and we are not just talking about legends. The ground zero of reading, of theory is how many dead bodies are left at the other end of the hermeneutical process, how many spirits impoverished and how many filled. Interpretation of the Bible always matters in a way that doesn’t apply to films. But there is a sense in which our series does take the advice of that reporter seriously. Modern biblical scholars till now have seen their role as a largely negative one. It was their role to say “That’s not what really happened… that’s not what the original Hebrew means…” In so doing they have undervalued centuries of reception history, 2000 years of creative interaction between text and reader which has left us with a rich source of material on the meaning of the Bible. It is surely time to redress the balance and, even though we know quite well that it is different from the fact, “print the legend”.